Billy Bragg, “Levi Stubbs’ Tears” / “Valentine’s Day is Over”The so-called “big-nosed bard of Barking” has often told tales of individuals other than himself in his songs, so it’s no surprise to find that he’s touched on the topic of domestic abuse more than once.
/ When you know how I need you / to beat to a pulp on Saturday night.” 22.Tracy Chapman, “Behind The Wall” After the first three songs of Tracy Chapman’s self-titled debut album, listeners had good reason to expect that all her material would be powered by acoustic guitar, but “Behind The Wall” is delivered with no instrumentation whatsoever, to chilling effect. singlesuche München “Last night I heard the screaming,” Chapman begins, launching into a tale of an apartment-dweller who awakens to the sounds of a husband beating his wife on the other side of the wall.(Sample lyric: “Da-da made a nice bed for mommy at the bottom of the lake.”) A decade later, “Love The Way You Lie” traded out the murder fantasy for a more tempered reflection on a mutually destructive relationship.Then again, having recent domestic-violence victim Rihanna sing “I like the way it hurts” on the chorus of “Love The Way You Lie” is almost as creepy as taking a baby to her mother’s murder. The Beatles, “Run For Your Life”The most menacing song in the Fab Four’s catalog, “Run For Your Life” is a two-minute string of threats to a girlfriend that closes 1965’s Rubber Soul.
In this case, it’s a scared, miserable kid singing about his dad (“‘Father’ is a name you haven’t earned yet”) repeatedly getting drunk and beating his mom (“She’s just a woman… “Goodbye, Earl” follows the exploits of best friends Mary Anne and Wanda as they plot the death of Wanda’s abusive husband Earl, who, after Wanda files for divorce, “walked right through that restraining order / and put her in intensive care.” (Dixie Chicks lead singer Natalie Maines delivers the line “It didn’t take ’em long to decide that Earl had to die” with particular glee.) Once Earl is poisoned by black-eyed peas, wrapped in a tarp, and dumped in a lake to rot, the police swiftly abandon the case, since Earl is “a missing person who nobody missed at all.” Taking the black humor of the song one step further, the celebrity-laden video features Dennis Franz as the mulleted Earl, who posthumously reappears as a dancing corpse. Miranda Lambert, “Gunpowder & Lead”Miranda Lambert updates the country tradition of female revenge songs by throwing in a dash of braggadocio.“His fist is big, but my gun’s bigger,” she sings, bridging the gap between self-defense and schoolyard taunt.As the record’s centerpiece, the doo-wop-inspired “Fistful Of Love” takes that concept to its fiery apotheosis. abenteuer dating Saarbrücken Following a spoken-word intro from the patron saint of rock taboo, Lou Reed, frontman Antony Hegarty paints a picture of a romance where one party speaks with words and the other with fists.but as she says, “outside of that, he’s all right with me.” By the end of the song, where she’s calling him a dirty thief and he’s knocking out her teeth, the irony is getting pretty thick, and the song is beginning to sound less like a bluesy love song and more like a backhanded slap at women who choose to stay with men who give them backhanded slaps. Ella Fitzgerald and Louis Jordan, “Stone Cold Dead In The Market (He Had It Coming)”Ella Fitzgerald and Louis Jordan scored a popular hit in 1946 with their calypso number “Stone Cold Dead In The Market,” about a woman who publicly kills her drunken, abusive husband, either with a frying pan, a cookpot, or a rolling pin, depending which verse you believe.
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